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Richard Prince

Issue 156, Fall 2000

 

 

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More from Issue 156, Fall 2000

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  • Fiction

    • Rick Bass

      The Cave

    • Aimee Bender

      The Leading Man

    • Todd Dorman

      The Flannigans

    • Jonathan Safran Foer

      About the Typefaces Not Used in This Edition

    • Rick Moody

      The Carnival Tradition

  • Interview

    • William T. Vollmann

      The Art of Fiction No. 163

    • Hunter S. Thompson

      The Art of Journalism No. 1

    • Gustaw Herling

      The Art of Fiction No. 162

  • Poetry

    • David Baker

      Forced Bloom

    • Mary Jo Bang

      Three Poems

    • Stephen Burt

      Morningside Park

    • William Coleman

      Four Poems

    • James Cummins

      Three Poems

    • Christina Davis

      Three Poems

    • Carl Dennis

      Window Boxes

    • Annmarie Drury

      Four Poems

    • Donald Finkel

      Two Poems

    • Gabriel Fried

      Dialogue

    • Benjamin Scott Grossman

      Two Poems

    • Malinda Markham

      Two Poems

    • Eric Ormsby

      Two Poems

    • Dennis O’Driscoll

      So Much Depends

    • Linda Pastan

      The Cossacks

    • Siri von Reis

      The Love Suicides at Sonezaki

    • Lexi Rudnitsky

      Dependent Clause

    • L. J. Schweppe

      Five Poems

    • Julie Sheehan

      Three Poems

    • Katherine Whitcomb

      Ars Longa

    • Terence Winch

      Three Poems

    • C. Dale Young

      South Beach

  • Feature

    • Hunter S. Thompson

      Fear and Loathing in America

  • Notice

    • George Plimpton

      Notice

  • Art

    • Richard Prince

      (no title)

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By Sharon Olds
 

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From left, Galway Kinnell, Robert Hass, Olds, and Brenda Hillman in the Oakley house at the Community of Writers, Olympic Valley, California, 1989. Courtesy of Sharon Olds and the Community of Writers.

Sharon Olds published her first book, Satan Says, in 1980, at the age of thirty-seven. The book is organized into four sections, “Daughter,” “Woman,” “Mother,” and “Journey,” and it begins with its title poem, whose speaker is locked in a box she can open only by repeating after Satan: “Say shit, say death, say fuck the father.” At the time, Olds—who was born in San Francisco, graduated from Stanford, and received a Ph.D. in English from Columbia—was married to a psychiatrist, and she spent her days on Manhattan’s Upper West Side, caring for their two young children. Not long after the book’s publication, she told me last year, someone who had invited her to give a reading picked her up at the airport and said, “I thought you would look angrier.”

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In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.

Rachel Cusk photo courtesy the author.

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