More and more, along the shore
of the Northeast Corridor,
birds are standing in alcoves like telephone booths
as the humans go by—
doorless ceilingless closets in walls of reed
whose floors are the banks, awash in water,
of inlets and bays.
Large wading birds step back into green recesses,
and stand very still,
sometimes more than one in the narrow space,
sometimes a blue heron and a great egret facing each other
beak to beak. Some birds do not stand,
they grip a branch with their feet to stay upright.
Some birds hop, bouncing along
like little pocketless kangaroos,
and a crow walks along with coins singing in her trousers.
Aisha Sabatini Sloan
Episode 22: “Form and Formlessness”
In an essay specially commissioned for the podcast, Aisha Sabatini Sloan describes rambling around Paris with her father, Lester Sloan, a longtime staff photographer for Newsweek, and a glamorous woman who befriends them. In an excerpt from The Art of Fiction no. 246, Rachel Cusk and Sheila Heti discuss how writing her first novel helped Cusk discover her “shape or identity or essence.” Next, Allan Gurganus’s reading of his story “It Had Wings,” about an arthritic woman who finds a fallen angel in her backyard, is interspersed with a version of the story rendered as a one-woman opera by the composer Bruce Saylor. The episode closes with “Dear Someone,” a poem by Deborah Landau.
Rachel Cusk photo courtesy the author.
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